Friday, October 9, 2009

The real Sherlock Holmes

I have found a reagent which is precipitated by haemoglobin and by nothing else."

Thus was the great detective Sherlock Holmes thrust upon us in December, 1887: as a truth-seeking scientist in a chemistry lab of a London hospital, excitedly waving a test tube in his acid-stained fingers. It would be 13 years before a real test for "the differential diagnosis of human blood" was used by a German medical researcher. Six months later, that test led to the conviction of a murderer.

Holmes' creator, British writer Sir Arthur Conan Doyle, was a physician who realised the vital importance for solving crimes of a test that distinguished between the blood of humans and that of other animals.

Doyle's letters, interviews and memoirs reveal how he made Holmes the epitome of a quirky thinking machine: a detective who conducted investigation based on the scientific approach of observation, deduction, experimentation and conclusion. Along the way, in 56 short stories and four novellas, Doyle fashioned his hero into a forerunner of today's forensic scientists.

A leading light

"Doyle pointed the way to the future," says former University of London chemist John Emsley, who is writing a book called Molecules and Murder, to be published in late 2008 by Britain's Royal Society of Chemistry. In 2002, the Society named Holmes – not Conan Doyle – as an honorary fellow for the pioneering use of forensics. Emsley notes that Doyle drew attention to advances in forensic science emerging in the late Victorian era.

But these techniques were not in general use, other than for autopsies, and their advocates faced an uphill struggle convincing police of their potential. London's Scotland Yard only established its Fingerprint Branch in 1901, two decades after the British journal Nature published evidence that fingerprints provided unique identification.

While the authorities dithered, along came wildly popular stories with Holmes repeatedly solving cases that had supposedly baffled the police by making use of chemical analysis, microscopic inspection, plaster casts of footprints, mathematical calculation, ballistics, fingerprints, code-breaking, handwriting analysis, gunpowder residues, typography and photographic enlargements.

Like all scientists, Holmes published his results and claimed to have produced monographs on topics ranging from the ashes of 140 different tobaccos to tattoo marks and ciphers. Although such references to forensic techniques tailed off in the later Holmes stories, they continued until the final adventure in 1927.

This popularisation of the scientific approach to solving crime was vital to the emergence of modern forensics, says Ray Murray, a forensic geologist based in Missoula, Montana, and author of Evidence from the Earth. "The scientific method... had been around for some time at that point. But Doyle advertised it, he promoted it, he made it a reality."

Murray points to evidence that Edmund Locard, a French pioneer of forensic criminology, read Holmes stories; encountering many instances of what modern criminologists call the exchange principle. This could be the hairs left on your jacket by a cat. Or it could be the zinc and copper filings from a trouser cuff by which Holmes identified a man who was part of a coin counterfeiting operation. "It's the basis of all trace evidence which you see mentioned in television shows like CSI," says Murray.

Locard gave the exchange principle a solid scientific basis, establishing in Lyon, France, in 1910 one of the earliest laboratories devoted to criminal investigation.

The real inspiration

Less speculative is the pioneering role of Sherlock Holmes in the technique of linking a particular typewriter with a text. In "A Case of Identity", published in September 1891, the detective remarks to Watson: "It is a curious thing… that a typewriter has really as much individuality as a man's handwriting."

This story appeared three years before any document examiner wrote about typewriter identification, according to David Crown, who headed the CIA's Questioned Document Laboratory in Washington DC for 15 years.

Who then was the inspiration for this forensic Sherlock Holmes? Early biographies of Doyle give that credit to Joseph Bell, a physician and professor of medicine at Edinburgh University in Scotland, who employed the young author as his out-patient clerk at the Royal Infirmary.

This seems simplistic, however. Certainly, Bell was renowned for diagnosing the afflictions of many patients at the infirmary by mere observation. As a sort of parlour trick, he often also deduced that person's occupation and place of residence. Yet Bell was a medical detective, as were two other Edinburgh faculty members whose quirks. Doyle incorporated into the character of the fictional detective. Holmes was a forensic detective and ranged far beyond medical evidence in his investigations.

The true inspiration for Sherlock Holmes can be detected in this passage from "The Blanched Soldier", in which the detective describes his scientific method: "The process… starts upon the supposition that when you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth. It may be that several explanations remain, in which case one tries test after test until one or other of them has a convincing amount of support."

These words might equally well have come from a forensic scientist today. More to the point, they are almost certainly the views of Arthur Conan Doyle, the real model for the forensic Sherlock Holmes.

Sunday, September 20, 2009

Review: Sherlock Holmes Double Feature (The Adventures of Sherlock Holmes, The Scarlet Claw) (DVD)

I recently reviewed a "Sherlock Holmes Double Feature" disc from MPI Home Video that included the superb "The Hound of the Baskervilles" and the watchable "Pursuit to Algiers." Don´t you worry, there is more than enough good detective work to go around, evidenced by another double feature release with two different and maybe better Holmes films: "The Adventures of Sherlock Holmes" (1939) and "The Scarlet Claw" (1944). In many regards, these two separate DVD releases are similar. Both come from the same studio, blend a late 1930s Holmes release with a mid-1940s release, and feature one film based on a Sir Arthur Conan Doyle title while the other merely borrows the lead characters. Of course, the critical difference is the films included, and thankfully, this disc provides two excellent choices to enjoy.

By the time these films debuted on the silver screen, Holmes as a character had been around. Conan Doyle, the average medical practitioner but extremely talented mystery author, had been writing about Holmes and his unique adventures since 1887, and had even tried to kill him off in a short story (the Holmes fan base essentially went nuts, and in response, Conan Doyle devised a clever scheme to resurrect the famously popular sleuth). Himself having died in July 1930, Conan Doyle never lived to see any incarnation of his famous detective by Basil Rathbone, but had he been around, I can´t see how he´d disapprove. Rathbone, confident and ever so appropriately cast in this lead character, performed along side Nigel Bruce, who did a darn fine job personifying the well-meaning but absent minded and often flawed Dr. John Watson, in fourteen different Holmes movies. A handful are based on works Conan Doyle himself wrote and published, while the rest drop his primary characters into another author´s screenplay. At any rate, my guess is the man behind the characters would likely offer compliments toward both "The Adventures of Sherlock Holmes" and "The Scarlet Claw" if given the opportunity. Sure, the films take liberties here and there, but Conan Doyle did the same thing while practicing medicine. To each his own, I suppose.


What´s fascinating is simply how big Holmes got, both as a character and a staple in literature. In fact, if you do some casual Internet research, you´re likely to find more information on Holmes than on Conan Doyle. This either speaks to the quality behind the character (mostly thanks to Conan Doyle) or an international obsession matched only decades later when four guys from Liverpool (ahem, The Beatles) sold a few albums and wrote a couple popular songs. I suppose it´s a bit from column A and column B, but however you try to explain it, there is no denying how popular Holmes is, was and probably ever shall be. Many speak about his stories as if they were their own, and many write about him as though they knew him personally. As a character, he is thorough, direct and enthusiastic. As a man, he is charming, compassionate and always looking out for other people and his nation. Holmes had his flaws during a career that has spanned well over a hundred years (and it isn´t over yet, thanks to an upcoming Guy Ritchie film featuring Robert Downey Jr. as Holmes due to hit theaters Christmas 2009): he smoked like a chimney, was a regular cocaine user and occasionally put a case´s outcome before anyone else´s. But these imperfections cannot hinder a character so famous he has statues, plaques and museums dedicated to his fictitious endeavors throughout London. And he´s been in some down right fun to watch movies, too.


"The Adventures of Sherlock Holmes" is widely recognized as the best among the fourteen Rathbone and Bruce films, so it must come as no surprise its indirect source is equally popular. Conan Doyle released "The Adventures of Sherlock Holmes" as a set in October 1892. Featuring twelve original short stories he´d published over the previous sixteen months, the book is among the best selling Holmes literature collections ever put into print. The 85-minute film is notable for several reasons, among them the famous line "Elementary, my dear Watson" and a really nasty nemesis.


As the evil Professor Moriarty (George Zucco), on trial for murder, is found innocent in a London courtroom, both judges and jury convey unprecedented regret. Shortly after the verdict, Holmes storms in with newfound evidence that will reverse the decision and send Moriarty to the gallows. Alas, it is too late, and the two share a cab ride back to 221B Baker Street. Moriarty tells Holmes he intends to commit a crime so great and shocking it will forever tarnish London, but Holmes quickly shifts gears the next day when, after Watson arrives, he is visited by Sir Ronald Ramsgate (Henry Stephenson) and asked to be present when a beautiful and valuable jewel is delivered to the Tower of London. Moments later, Ann Brandon (Ida Lupino) visits Holmes and Watson with a suspicious note given to her brother Lloyd (Peter Willes) as the anniversary of their father´s death approaches. Holmes agrees to take up Ann´s case, and after sending Watson to shadow Lloyd´s super suspicious lawyer Jerrold Hunter (Alan Marshal), deduces the note is a warning and threat on Lloyd´s life. Meanwhile, with Moriarty plotting to steal the valuable jewel, Lloyd is killed and mysterious men stalk Ann late in the evenings with creepy music. While Holmes sticks by Ann as she copes and watches her in disguise during an evening social, he dispatches Watson to the Tower of London, where a blunder allows Moriarty to access the jewel he desires. It´s up to Holmes and Watson to link the crimes together and stop the Professor from his most diabolical crime yet.


I liked "The Adventures of Sherlock Holmes" for a few simple reasons. First, it is fast paced and leaves little time for anything but focus on the separate but related stories as they develop. This is a detective tale you need to watch from beginning to end with no interruptions if you really want to feel its characters and messages. Second, as I anticipated, Rathbone is in the zone from start to finish. He took Holmes to a different pedestal in "The Hound of the Baskervilles" (which was released just before "The Adventures of Sherlock Holmes"), and puts his own unique stamp on this film, character and series as a whole. Third, the film looks like a really great mystery/thriller should, with dark hallways, ghostly lighting and multiple suspicious characters. The sets convey many messages about the characters, too. 221B Baker Street is rich with gadgets, books, figures and anal retentively clean, while Moriarty´s mansion is cluttered with plants and hiding spots. The entire film works because its characters give it a foundation to do so, and the many things in films that support characters (cinematography, music, sets, scripts, costumes and countless more) only enriched my viewing experience.